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TILTSHIFT CANON MANUAL
Tilt-shift lenses are completely manual except for aperture control which is done by the camera. Another member confirmed this is also the case for the Canon TS-E 24mm F/3.5 lens. Rounded nine-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field techniques. The TS-E 24mm f/3.5L II Tilt-Shift Lens from Canonis a wide-angle lens for EF mount cameras. One artifact which may be limited to some tilt-shift lenses is that changing tilt cause a shift of the angle-of-view.A minimum focusing distance of 10.6" along with a maximum magnification of 0.5x benefits working with close-up subjects.Both Air Sphere and Subwavelength Coatings have been applied to lens elements to minimize surface and internal reflections for a marked reduction in lens flare and ghosting when working in strong lighting conditions.One aspherical element minimizes spherical aberrations and distortion for improved sharpness.Two ultra-low dispersion elements help to reduce color fringing and chromatic aberrations for improved clarity and color accuracy.Tilt-locking mechanism and a large tilt knob benefit operation and ensure the lens stays in place while shooting.Additionally, the tilt and shift functions can be rotated +/- 90° in any direction for applying the movements in distinct directions. Perspective control, tilt-shift lens affords +/- 12mm of shift and +/- 8.5° of tilt, and both types of movements can be applied independently, and parallel or perpendicular to one another. When that theory failed, I sold it for 400 to a friend, whoops Then after the Canon 1ds M11 arrived I quickly. This is way bigger than the EF lenses 43.2 mm standard image circle. I first purchased one 15 years ago for the rare moment when I felt like only caring my 35mm film camera instead of my large format 4×5. The Canon TS-E 24 f/3.5 Tilt-Shift, for instance, projects a 67.2mm image circle. Individual elements also feature both Air Sphere and Subwavelength Coatings to suppress flare and ghosting for greater contrast and color neutrality. I have used a Canon 24mm tilt/shift lens for five years now. A minimum focus distance of 10.6" and a maximum magnification of 0.5x are also benefitted by the range of movements for more control over depth of field when photographing close-up subjects.Ĭomplementing the operation of the lens, this L-series prime is also distinguished by its optical design that features a pair of Ultra-Low Dispersion elements to significantly reduce color fringing and chromatic aberrations as well as one aspherical element to minimize spherical aberrations and distortion. Up to +/- 8.5° of tilt is possible, for focus control, and +/- 12mm of shift, to adjust perspective and composition, and a tilt-locking mechanism can be used while shooting for more stability. Characterized by its close-focusing and perspective control capabilities, the TS-E 50mm f/2.8L Macro from Canon is a normal-length tilt-shift lens well-suited for product, tabletop, architectural, and interior photography.